#Take me home the movie how to
#Take me home the movie movie

It just plays out pretty much exactly the same way one would expect. I suppose the film is colorful enough and the animation is more than solid, but it takes more than that to make a good movie. I'm not saying that they were intended this way, but you can sort of notice when they're really into a project and when they're not. Look at those two films and tell me that I'm wrong.

#Take me home the movie how to

There's just not that much effort put in here, I think they just what's absolutely essential in order to make sure the kids are distracted, but they don't go all out like they did for How To Train Your Dragon 2. It's obvious that they don't consider this to be a top-quality project and that is evidence by the execution of the film. This, and other films like the Croods or Turbo, are clearly B-team offerings from DreamWorks. Not saying that this film was easy to make, because it was anything but easy, but it feels like there wasn't as much effort put into this film as, say, other DreamWorks animated films. It's clearly not meant to compete with the Toy Storys or the How to train your Dragons of the world. This is mostly meant as a diversion, more than anything else. But the fact that the film is sweet does not make up for the fact that it's probably a very generic story and even more generic execution. It doesn't feel forced or contrived, like you would see in so many of these films. I think this film succeeds at mostly building a sweet friendship between the two lead characters and it actually feels earned. I know that's a shitty reason to give one film the nod over the other, but I also genuinely enjoyed this than either of the Despicable Me movies. Expectations were, at least, a bit more realistic when it came to this film. I have to give the nod to this film over Despicable Me if only for the fact that Despicable Me, at least the first one, was very positively received and even compared to Pixar films. But, in terms of quality, there's nothing much separating those two films from one another. The only difference is the fact that, at least, this film doesn't have insufferably annoying mascots like the Minions.

Perhaps that's a little strong to say, but this film is really no better than either of the Despicable Me films. But, as the cliche goes, the road to hell is paved with good intentions.

#Take me home the movie movie

Retrieved 2 April 2013.This is a movie that certainly means well, it's sweet and it's, honestly, one of the most harmless films you could show your children, if that's what you go for, instead of showing them quality films. ^ 'Actor/Director Sam Jaeger & NaFF Award Winner Jordan Beckett Visit ASCAP Nashville'.^ 'Reel Dakota Announces Festival Winners'.^ 'Rhode Island Film Festival Concludes, Hands Out Awards'.^ ' 'Weekend' & 'If a Tree Falls' Win Big in Nashville'.

'Choice films contribute to success of first Napa Valley Film Festival'.

^ 'Monterey Media Acquires Romantic Comedy 'Take Me Home' (Exclusive)'.

^ a b Bill DeYoung (October 29, 2011).

Prescott Film Festival Audience Choice Award Rhode Island International Film Festival Awards Reception Р”В¬onnect Savannah and the Napa Valley Register both praised the film, with the Napa Valley Register calling it 'truly engrossing and definitely funny'. Filming took place in thirteen states, with Ohio initially set as the backdrop for the story. Jaeger began writing the script for Take Me Home in 2004, with the first draft taking him three months to complete and the second draft two years.

Brennan Elliott as Eric - Claire's husband.

Cristine Rose as Lynette - Thom's mother.

Victor Garber as Arnold - Thom's father.

The path across America takes more than the usual detours and that forces them to choose between the lives they've left behind, and the possibilities glimpsed along their journey. With her life in ruins, Claire decides to pay Thom to drive her out to California and he reluctantly agrees. In a frenzy, she hails what she assumes to be a legit cab, which is driven by Thom. Her husband is flirting with his secretary and her estranged father has suffered a heart attack in California. Claire Barrow isn't having a good day either and needs a taxi. With no job prospects and no place to sleep, he turns to driving his illegal taxicab around the streets of New York. After getting turned down for a job, Thom finds his landlord putting all of his belongings into the hallway.